Air
Fifteen years ago today, my brother Thomas died of ARDS (Adult Respiratory Distress Syndrome) in an intensive care unit of Ochsner Medical Center in New Orleans. The day before, in a hospital hallway, my mother had told me what she’d heard on the news: that a powerful hurricane was headed right for the mouth of the Mississippi, and that it was named Katrina.
My poem “Breath,” which I eventually wrote about this loss, talks about “some awful / symmetry” in certain intersections of events. It’s hard today not to think of a similar symmetry, a chiming, as the world tries so hard to breathe while hurricanes stew in the Gulf. Each of my grown children has said to me today in different phrasing that Uncle Thomas would have plenty to say about what’s going on right now. Boy, is that the truth.
There’s no one photograph that captures his vigor, his brusque and out-of-left-field humor, his deep caring for his family and animals, books and music, progressive politics, American ideals, and the Louisiana outdoors. I don’t know why we didn’t take more pictures of him; for one thing, we didn’t have smartphones and weren’t so picture-happy, but also, to be around him was to be caught up in a vortex of his energy, his activity, whatever he was reacting to/doing/fixing/laughing at/roaring at in the moment, and rather than stand and snap a photo you were more likely just to be swept along. Likewise, there’s no brief way to do justice to his personality. It would come closer to being adequately described in a night-long wake with people who knew him telling stories and fooling around on guitars.
When Thomas first died, I didn’t know how I was going to be able to wake up every morning in a world that he wasn’t in. But somehow I did, day after day, we all did, and now it’s been fifteen years. As poet Marie Howe says in “What the Living Do,” “I'm speechless: / I am living. I remember you.”
Here again is “Breath”—first published in The Carolina Quarterly and later in my collection The Wheel of Light (Brickhouse Books, 2015).
Breath
It was only coincidence that you died
in New Orleans, two days before the great storm.
You’d been airlifted
to a place that would help you respire. Respire—
air
lifted
what beautiful words. Your lungs
had quit working. Up and down
the rows of the orchards you’d driven, driven
your tractor and walked, as if walking
on air—the thick moist air that soon
you wouldn’t be able to breathe, into which you would rise
—inspecting the foliage, teeth clamped
around a cigar.
Your trees ate light:
made leaves and budded, filled out
like your daughters, approaching
the slope of their prime. How happy
you’d been, that spring, applying the mists and fogs, to combat
this fungus, that blight. Smoking. Breathing. Eyeing
the long, ordered rows. Until
like a mild cold it started, a virus. Something wrong
with you who had never been sick, who’d
been to the hospital only for accidents—slip
of the grafting knife, lunge
by the dog in labor—that left you short
two fingertips and with a twist
to your smile, but breathing How
could it be that now
you had to be flown
over swamps and levees
to the tower of intensive care? To this place that would save you.
Mom said to me, “The hospital where
you were born.” Where I took my first breath.
“I know,” I said. “Stop it, stop. That’s just
a coincidence.”
Dreading
some awful
symmetry.